Saturday, February 15, 2020

Qualcomm Stadium Sponsorship Essay Example | Topics and Well Written Essays - 500 words

Qualcomm Stadium Sponsorship - Essay Example On entry to the stadium parking lots, Qualcomm signs can be seen at top of the stadium on the east and west sides of the stadium. Also on top of the stadium next to Qualcomm, but on a smaller scale, is a sponsorship sign for Union Bank, which is one of the official sponsors of the stadium and of the Chargers team. When entering the main gates of the stadium, the entrance ways have Qualcomm signs and showcase another stadium sponsor, Bud Light. These signs are on top of the pathway. The ticket office also has Qualcomm signs. On first entrance into the stadium, wall sponsorship of Sycuan, which is a San Diego Casino, greets fans. At the concession area, Bud Light signs grace the places to buy drinks; there are no other sponsors for food concessions. Inside the playing arena of the stadium, many different sponsorship signs can be found. The Jumbo-tron has Qualcomm Stadium on the top of it. Further down the Jumbo-tron there is a big Bud Light sign that is lighted. On the sides of the Jum bo-tron, Pepsi has small signs. On one side there is an advertisement for Toyota, while Union Bank is on the other side. On the opposite side of the stadium there is a smaller Jumbo-tron with a Qualcomm sign on top and a Bud Light sign underneath.   There is a trolley system that brings fans back and forth from the city to the stadium that has no sponsorship signage. On the outside and inside walls of the stadium there are statues and plaques of the San Diego Padres baseball team all over the stadium. This takes up most of the inside and outside space. These are prime areas for sponsorship; however, they are being used to remember the MLB baseball team that is no longer using the stadium. The San Diego Padres moved to their own brand new stadium a few years back. The Padre statues and plates could be taken down and used more constructively for sponsorship purposes. At the top of the

Sunday, February 2, 2020

Self-Representation of Native Americans Essay Example | Topics and Well Written Essays - 1500 words

Self-Representation of Native Americans - Essay Example Current conceptions and representations of Native American culture sometimes suppose they are lazy, casino owning alcoholics who ignorantly refuse to assimilate into modern society. One artist of the 19th century attempted to re-categorize the representations of Native Americans, George Caitlin. In his works, one sees an obvious and intentional desire to portray Native Americans as noble and civilized, some works going as far as to suggest that it is European civilization that is the problem as it is a corrupting and destructive influence on the indigenous populations of the Americas. Self-representation of oppressed and minority populations has proven an effective way to create a voice in the public discourse and to question the validity of particular suppositions which underlie the dominant paradigms of understanding. Unfortunately, there has been limited access to Native American self-representations in the public space until very recently. An exhibition of a rare sketchbook, A Kiowa's Odyssey, is traveling around the country showing the drawings of an autodidact, Etahdleuh Doanmoe, whose sketches depict the capture and relocation of 72 Comanche, Kiowa, Cheyenne and members of other tribes from Fort Sill, Oklahoma to St. Augustine, Florida. Though these Doanmoe sketches lack the formal compositional techniques of Caitlin's oeuvre the contrast between representation and self-representation of Native American populations is well manifested in the juxtaposition of these two bodies of work. This paper will focus on the context and intention as embodied by and thro ugh the sketches and paintings. The drawings that appear in the Sketchbook of Doanmoe were originally collected by Lieutenant Richard Henry Pratt, a strong advocate of Indian assimilation and the founder of the Carlisle Indian Industrial School in Pennsylvania.1 Pratt believed that the Indians needed to reject their primitive ways and become educated in Western language, manners, and religion. To this end after capturing Doanmoe and some 70 other Native Americans he marched them 1,000 miles from Fort Sill in Oklahoma to Fort Marion where they received "training" for three years. The sketchbook catalogued the events that took place there, and their titles once assembled were type-written on the top by Pratt himself.2 One feature of the sketches that is immediately noticeable is the unusual perspective that Doanmoe utilizes, namely a rather panoramic perspective as illustrated in his Prisoners Entering Fort Sill.3 This perspective intimates a fundamental disconnect with the subject matter. This fundament disconnection lies in stark contrast to many of the paintings of George Caitlin. Caitlin painted over 35 portraits of tribal chiefs and most of them such as Shonkakihega, Horse Chief, Grand Pawnee Head Chief 4have a very close and intensely intimate impression, with the subject dominating a rather contrived background that only serves to highlight and foreground the features of the subject as the colors in the background seem only chosen to compliment the various colors used for the subject. Caitlin was determined to attach a sense of nobility and austerity to the indigenous subjects of his works. This distinction in perspective reveals something about the relative positions of the two artists